“She said, the Queen of Sheba did, that I’d be in danger, and some one would save me. And I’d have a s’prise, and a hus—husband, and fi-five c-chil— children!” She wailed again and hid her face on Mrs. Bennett’s shoulder.,
“Why, I’d planned a big stock concern, like business men. We’ll build a railroad, telegraph line—that comes first, though; we’ll have gold and copper mines, and a wharf. And next we’ll launch the steamer we’ve been making.”,
Moses’ intuition regarding St. Elmo’s retreat proved to be correct, and it was a sadly dejected countenance on which he gazed when he looked into the cave. Tears, dirt, and the juice of Saskatoon berries mingled on the fair sleeping face of the child, until he seemed to be the very Cree Indian he had so often personated in his play. His long curls were tangled and matted with small twigs. His diminutive brown velvet coat displayed a large rent in the elbow through which oozed a pathetic-looking suppuration of pink and white checked shirt.,
Had he but dreamed on for an hour or so he would have returned, rested, refreshed, the cheery boy that helped to make the Bennett house a home. But a voice in the road above startled him. Only a word was spoken, a greeting; but it was surly and foreign, Italian.
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“My conscience! How lovely and stylish you look!” The child, accustomed to elegant dress, praised with discriminating eyes.,
The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores.,
“It’s that Jake. He’s sich an ornery animule,” explained the boy, thus shamelessly vilifying a patient and much enduring character.,
“I think the linin’ of Miss Gordon’s cloud needs polishin’ these days,” ventured Betty, shyly.
“You’re a plucky kid, all right,” he replied, touched more than he would have admitted. “I won’t hurt the dog if you do as I tell you.” He looked for a cord or rope, but found none, and pulled from his pocket a red handkerchief. “Tie this around his neck; let one end hang down.”
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“This peacock,” went on Betty, showing the picture of a bird with plumed tail outspread, “is the white peacock of the moon. It lives in the moon, but when fairies want to come to play with li’l girls, they harness the peacock an’ drive down to earth in a silver chariot.”
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“Elmo saw some gween and white faywies,” he fabricated, “and wanted Mudgie to see them too.”
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“Oh, chuck the business,” Jean said impatiently. “Can’t it wait till noon? I must go home then.”
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>Thus interrogated, the boy who had caught but one fleeting word of the sentence, reddened, and shuffling his feet, said he’d “often rode a wild cayuse.”
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